#: locale=it
## Tour
### Description
tour.description = A simple 3D Virtual Tour Demo of a customized museum
### Title
tour.name = museo demo
## Skin
### Button
Button_03D37B27_0C7A_63B3_41A1_89572D8C8762.label = MUSEO INFO
Button_03D37B27_0C7A_63B3_41A1_89572D8C8762_mobile.label = INFO
Button_0DECFFED_12FA_D26D_419B_F907711405D7.label = BOOK NOW
Button_0DECFFED_12FA_D26D_419B_F907711405D7_mobile.label = BOOK NOW
Button_18126A3F_1663_8BEF_41A4_B0EDA1A5F4E3.label = BOOK NOW
Button_18126A3F_1663_8BEF_41A4_B0EDA1A5F4E3_mobile.label = BOOK NOW
Button_1CA392FC_0C0A_2295_41A3_18DEA65FB6AD.label = LOCATION
Button_1CA392FC_0C0A_2295_41A3_18DEA65FB6AD_mobile.label = LOCATION
Button_1EBF3282_0C0A_1D6D_4190_52FC7F8C00A5.label = PHOTOALBUM
Button_1EBF3282_0C0A_1D6D_4190_52FC7F8C00A5_mobile.label = PHOTOS
Button_1FDDCF4A_0C0A_23FD_417A_1C14E098FDFD.label = PANORAMA LIST
Button_1FDDCF4A_0C0A_23FD_417A_1C14E098FDFD_mobile.label = PANORAMAS
Button_1FE4B611_0C0A_256F_418E_EA27E66F8360.label = FLOORPLAN
Button_1FE4B611_0C0A_256F_418E_EA27E66F8360_mobile.label = PLAN
Button_33E0F47E_11C1_A20D_419F_BB809AD89259.label = CONTACT
Button_33E0F47E_11C1_A20D_419F_BB809AD89259_mobile.label = CONTACT
### Multiline Text
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Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula.
Integer eget pulvinar urna, et tincidunt sem. Suspendisse imperdiet tincidunt risus id mollis. Vivamus suscipit dui sit amet tortor pellentesque, ac laoreet tortor finibus. Nulla maximus urna id sagittis ultricies. Suspendisse in mi sit amet nisi rutrum sodales non eu elit. Integer cursus, odio nec efficitur fermentum.
Ut sed mattis ipsum. Curabitur blandit hendrerit nisi ac feugiat.
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MAECENAS CONGHE EROS MAGNA.
Proin sit amet pharetra magna. Donec varius eu nisi at facilisis. Vivamus nibh magna, fermentum ac nibh sit amet, euismod efficitur sem. Fusce blandit, purus sed gravida vulputate, justo quam laoreet quam, et dictum mauris arcu vitae justo.
Vivamus euismod condimentum ligula quis feugiat. Cras imperdiet tortor mi, a posuere velit tempus et. Maecenas et scelerisque turpis. Quisque in gravida leo, sed dapibus nibh. Ut at consequat turpis. Curabitur et tempor ex, aliquet interdum quam. Aliquam erat volutpat.
LOREM/
IPSUM
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MAECENAS CONGHE EROS MAGNA.
Proin sit amet pharetra magna. Donec varius eu nisi at facilisis. Vivamus nibh magna, fermentum ac nibh sit amet, euismod efficitur sem. Fusce blandit, purus sed gravida vulputate, justo quam laoreet quam, et dictum mauris arcu vitae justo.
Vivamus euismod condimentum ligula quis feugiat. Cras imperdiet tortor mi, a posuere velit tempus et. Maecenas et scelerisque turpis. Quisque in gravida leo, sed dapibus nibh. Ut at consequat turpis. Curabitur et tempor ex, aliquet interdum quam. Aliquam erat volutpat.
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue.
Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula.
Integer eget pulvinar urna, et tincidunt sem. Suspendisse imperdiet tincidunt risus id mollis. Vivamus suscipit dui sit amet tortor pellentesque, ac laoreet tortor finibus. Nulla maximus urna id sagittis ultricies. Suspendisse in mi sit amet nisi rutrum sodales non eu elit. Integer cursus, odio nec efficitur fermentum.
Ut sed mattis ipsum. Curabitur blandit hendrerit nisi ac feugiat.
LOREM IPSUM
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue. Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula. Duis a porta sem. Maecenas sollicitudin nunc id risus fringilla, a pharetra orci iaculis. Aliquam turpis ligula, tincidunt sit amet consequat ac, imperdiet non dolor.
CONTACT:
E-mail: Info@loremipsum.com
Web: www.loremipsum.com
Tlf.: +11 111 111 111
Address: line 1
Address line 2
CONTACT
LOREM IPSUM
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue. Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula. Duis a porta sem. Maecenas sollicitudin nunc id risus fringilla, a pharetra orci iaculis. Aliquam turpis ligula, tincidunt sit amet consequat ac, imperdiet non dolor.
CONTACT:
E-mail: Info@loremipsum.com
Web: www.loremipsum.com
Tlf.: +11 111 111 111
Address: line 1
Address line 2
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MAECENAS CONGUE EROS MAGNA, ID BIBENDUM EROS MALESUADA VITAE.
Address: line 1
Address: line 2
Address: line 3
GPS: xxxxxxxxxx
LOCATION
LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. MAECENAS CONGUE EROS MAGNA, ID BIBENDUM EROS MALESUADA VITAE.
Address: line 1
Address: line 2
Address: line 3
GPS: xxxxxxxxxx
Joan Miró
(Spanish, Barcelona 1893–1983 Palma de Mallorca)
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
Joan Miró
(Spanish, Barcelona 1893–1983 Palma de Mallorca)
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
"The Potato" is emblematic of Miró's poetic riffs on reality. It takes as its subject a gigantic female figure who stretches her arms wide. She is set against a blue sky and above a patch of earth—perhaps a potato field. The billowing white shape of the figure is attached to a red post in the center of the composition like a scarecrow on a pole. Beyond the earthiness of the subject, the painting's title appears to be derived from the representation of an actual, recognizable potato: lodged in the woman's forehead is a small, brown, oval object with three tendrils growing out of its upper edge. 1928
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
"The Potato" is emblematic of Miró's poetic riffs on reality. It takes as its subject a gigantic female figure who stretches her arms wide. She is set against a blue sky and above a patch of earth—perhaps a potato field. The billowing white shape of the figure is attached to a red post in the center of the composition like a scarecrow on a pole. Beyond the earthiness of the subject, the painting's title appears to be derived from the representation of an actual, recognizable potato: lodged in the woman's forehead is a small, brown, oval object with three tendrils growing out of its upper edge. 1928
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
"The Potato" is emblematic of Miró's poetic riffs on reality. It takes as its subject a gigantic female figure who stretches her arms wide. She is set against a blue sky and above a patch of earth—perhaps a potato field. The billowing white shape of the figure is attached to a red post in the center of the composition like a scarecrow on a pole. Beyond the earthiness of the subject, the painting's title appears to be derived from the representation of an actual, recognizable potato: lodged in the woman's forehead is a small, brown, oval object with three tendrils growing out of its upper edge. 1928
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
"The Potato" is emblematic of Miró's poetic riffs on reality. It takes as its subject a gigantic female figure who stretches her arms wide. She is set against a blue sky and above a patch of earth—perhaps a potato field. The billowing white shape of the figure is attached to a red post in the center of the composition like a scarecrow on a pole. Beyond the earthiness of the subject, the painting's title appears to be derived from the representation of an actual, recognizable potato: lodged in the woman's forehead is a small, brown, oval object with three tendrils growing out of its upper edge. 1928
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
“ Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris ultrices, lectus et placerat semper” 1977
Colored pencil, watercolor, and ink on paper
Promised gift of Manuel Fantoni, New York
“ Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris ultrices, lectus et placerat semper” 1977
Colored pencil, watercolor, and ink on paper
Promised gift of Manuel Fantoni, New York
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
"The Potato" is emblematic of Miró's poetic riffs on reality. It takes as its subject a gigantic female figure who stretches her arms wide. She is set against a blue sky and above a patch of earth—perhaps a potato field. The billowing white shape of the figure is attached to a red post in the center of the composition like a scarecrow on a pole. Beyond the earthiness of the subject, the painting's title appears to be derived from the representation of an actual, recognizable potato: lodged in the woman's forehead is a small, brown, oval object with three tendrils growing out of its upper edge. 1928
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
“In 1928 Miró painted a series of three paintings inspired by postcards of seventeenth-century Dutch genre scenes that he collected during a two-week trip to Holland. In this painting, he discarded the heightened naturalism and precision of these models in favor of dreamlike distortion. He used artistic shorthand to render the central figure-an archer-yet one can easily detect the arrows and avian targets.” 1928
Oil on canvas
Bequest of Florene M. Schoenborn, 1995
On view at The Met Fifth Avenue in Gallery 901
“ Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris ultrices, lectus et placerat semper” 1977
Colored pencil, watercolor, and ink on paper
Promised gift of Manuel Fantoni, New York
“In 1928 Miró painted a series of three paintings inspired by postcards of seventeenth-century Dutch genre scenes that he collected during a two-week trip to Holland. In this painting, he discarded the heightened naturalism and precision of these models in favor of dreamlike distortion. He used artistic shorthand to render the central figure-an archer-yet one can easily detect the arrows and avian targets.” 1928
Oil on canvas
Bequest of Florene M. Schoenborn, 1995
On view at The Met Fifth Avenue in Gallery 901
“In 1928 Miró painted a series of three paintings inspired by postcards of seventeenth-century Dutch genre scenes that he collected during a two-week trip to Holland. In this painting, he discarded the heightened naturalism and precision of these models in favor of dreamlike distortion. He used artistic shorthand to render the central figure-an archer-yet one can easily detect the arrows and avian targets.” 1928
Oil on canvas
Bequest of Florene M. Schoenborn, 1995
On view at The Met Fifth Avenue in Gallery 901
“ Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris ultrices, lectus et placerat semper” 1977
Colored pencil, watercolor, and ink on paper
Promised gift of Manuel Fantoni, New York
“ Lorem ipsum dolor sit amet, consectetur adipiscing elit. Mauris ultrices, lectus et placerat semper” 1977
Colored pencil, watercolor, and ink on paper
Promised gift of Manuel Fantoni, New York
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
“In 1928 Miró painted a series of three paintings inspired by postcards of seventeenth-century Dutch genre scenes that he collected during a two-week trip to Holland. In this painting, he discarded the heightened naturalism and precision of these models in favor of dreamlike distortion. He used artistic shorthand to render the central figure-an archer-yet one can easily detect the arrows and avian targets.” 1928
Oil on canvas
Bequest of Florene M. Schoenborn, 1995
On view at The Met Fifth Avenue in Gallery 901
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
“This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.” 1925
Oil on canvas
The Pierre and Maria-Gaetana Matisse Collection, 2002
On view at The Met Fifth Avenue in Gallery 901
The free-floating fantasy and delicate calligraphic lines of Miró's painting show the influence of the Surrealist circle. In the 1920s the artist became part of the group of artists, critics, and poets. As Miró recalled later: "As for Breton and Eluard...they ignored my existence until my painting freed itself in the direction of poetry and dreams." 1927
Oil on canvas
Jacques and Natasha Gelman Collection, 1998
On view at The Met Fifth Avenue in Gallery 906